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The recurring motif of locked doors throughout the novel functions on two levels simultaneously: literally, as a plot device restricting the protagonist's movement, and figuratively, as an externalization of her psychological paralysis. Critics who read the doors purely as symbols of patriarchal confinement overlook a crucial detail — the protagonist herself holds the keys throughout most of the narrative, choosing not to use them. This complicates any straightforward reading of her as simply a victim of external constraint.